![]() When combined with harder sources, lighting effects are possible if doing process work in vehicles or fast-paced VFX work.Įssentially, SUMOSKY is a cheaper, simpler alternative to the full-immersion Unreal engine-style of video wall. Recreating skylights, night lights, sunsets or skydomes for stages is suddenly simple. The new SUMOSKY is a quickly riggable, slim, backlit, multicolored and versatile system that goes from neutral grey to green, blue, or any other color. To solve this problem, they created SUMOSKY. Unfortunately, all of those solutions took weeks to rig, increased costs in time and materials, and required too much studio space. They tried using extra lighting layers to create skylights, sunlight, or other types of motivated light. ![]() SUMOLIGHT has years of experience installing and illuminating painted backdrops, but they never found a solution that could project enough light, in the right color, and without any spill. So what exactly is SUMOSKY?īasically, SUMOSKY is an instant expandable LED digital backdrop that was designed to save time and labor costs. ![]() So what if there was something that bridges the gap between Volumes and traditional green/blue screens? Well, that is where SUMOSKY comes in. The only caveat is that they are expensive and complex to set up. These Volumes have proven to be very popular and over the past eighteen months, over a hundred virtual production studios have been built globally. By utilizing so many LED screens, real digital backgrounds can be created instead of having to go down the usual path of using green or blue screens. The Volume is a concave video wall that consists of 1,326 LED screens. “The Mandalorian” used real-time, in-camera compositing which involves shooting on a stage in front of a structure that is referred to as the Volume. You are probably already aware of the growing trend of using dynamic LED displays on big productions in place of traditional green or blue screens. German lighting company SUMOLIGHT has announced SUMOSKY, which is meant to bridge the gap between static green screen & dynamic LED-displays.
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